According to Aristotle (as explained in the discussion of Earth), the Dry power causes things to fix their own form or structure. Its opposite, the Moist quality, represents a lack of self-determination; a Moist thing conforms to its surroundings and may take on any form. (Quicksilver is a good symbol of the Moist quality.) Therefore, we may say that the Moist quality is receptive, adaptive, form receiving, flexible, and pragmatic (because it conforms to circumstances). Psychologically, the Moist quality represents a personality that is flexible, fluid, mercurial, unreliable, indefinite and lacking self-control. The Moist person tends to be agile, gentle, obedient, conforming, passive, yielding, accommodating, weak, sensitive, understanding and kind, and to exhibit empathy, compassion, and a tendency to conformity. The Moist (like the Dry) is a passive power, which is dominated in Water by an active power, Coolness.
By looking at the Elemental Square, we can see that the Warm and Cool qualities correspond to the summer and winter solstices, and the Moist and Dry Qualities correspond to spring and fall equinoxes. Therefore the season corresponding to Water is winter. This may be surprising, since we might expect Water to be associated with spring, the season of fresh, green growth, spring rains and spring floods. The logic of the ancient arrangement becomes clear when we remember that Water is primarily Cold (so it is associated with winter), and Air is primarily Moist (so it is associated with spring). In fact, the whole left half of the diagram, comprising winter and spring, is Moist, which allows fluid change of form (e.g. growth), but there is a shift from the Cool quality to Warm. As discussed in the Introduction, Warmth brings increased differentiation, in this case, the new life of Spring.
On one hand, Water is primarily Cool, which is the active quality that binds things together, and so Water allows formation and nourishment of composite entities, and its evaporation and absence causes their decomposition. On the other hand, the Moistness of Water permits the dissolution of structure and the loss of form. Thus the essence of Water is to mix and cling together while being changeable in shape; it is characterized by passive change of form (transformation). Therefore Water permits the growth and development of form.
In psychological terms, Water is associated with nimble relating, emotion, feeling, inner flow, the subconscious, relationships and the social dimension. It is associated with emotional relationships, since it is Cool (connecting, relating) and Moist (conforming, empathetic); therefore the tarot suite of Cups corresponds to Water. Furthermore, Water corresponds to the Queens among the court cards, for they represent the nurturing matrix, the Object of the creative Impulse; the two Unite to engender the Effect. This process of emanation is summarized in IOUE, the four-letter name of Jove: Impulse (Fire), Object (Water), Union (Air), Effect (Earth), which correspond to the court cards.
Now hear the fourfold Roots of everything:Although, these verses seem to have been intended as an instructional riddle (ainigma), it has been clear since ancient times that Nêstis corresponds to Water. (Hades, Hera and Zeus are Fire, Earth and Air.) Since "Nêstis" was the name by which Persephone was known in Sicily (the birthplace of Empedocles' Pythagorean Craft), I will begin with a discussion of Persephone's connection with Water.
Enlivening Hera, Hades, shining Zeus,
And Nêstis, moistening mortal springs with tears.
Springs, wells and other sources of water from the earth were central to the Mysteries of Persephone, and the Eleusinian Mysteries grew up around a spring. This is because springs represent entrances to the Underworld, especially in Greece, where it is common for them to reenter the earth after flowing above ground for some distance. When Persephone was abducted, She was taken down the spring called Kuanê, which was said to have been created from the Maiden's tears, and She is virtually identical with Kuanê, the nymph of that spring. Indeed, Persephone is Queen of the Nymphs, the daughters of Ocean who are the spirits of springs and streams. Similarly, Demeter, mourning Her lost daughter, created a spring from Her tears. (The equation of Water and divine tears is a distinctly Pythagorean idea, which will be considered later in connection with the Salt Sea.)
Kuanos (blue) is the color of divine mourning and grief and is associated with the Mysteries of Demeter and Persephone, which are closely connected with Pythagoreanism and Empedoclean magic; Pythagoreans (especially women) were often the Priests and Priestesses in the mysteries of Demeter and Persephone. Therefore Kuanos is associated with Water and the Underworld.; it is also the color of Cocytus, the river of mourning and tears, which is opposite Pyriphlegethon, the river of fire in the Underworld, as Water is opposite Fire on the Elemental Square. (According to Damscius, each of the Four Rivers of the Underworld has an associated Element.)
I have flown out of the Circle of Heavy GriefThis alludes to Thrice-Born Dionysos (the "Kid"), who is the horned son of Persephone, according to the Orphics. Therefore the Bacchic initiate emulates the rebirth of Dionysos by sucking the Milk of Immortality from Persephone's breasts. An abundance of milk is a standard symbol in the Bacchic Mysteries, and milk is often involved in immortalization rites. Further, many enlightened individuals are described as consuming only milk.
and stepped swift-footed on the Circle of Joy.
I have made straight for the Breast of the Mistress, the Queen of the Underworld.
And now I come a suppliant to Holy Persephoneia,
that of Her Grace She send me to the Seats of the Hallowed.
Happy and Blessed One, thou shalt be God instead of mortal.
A Kid I have fallen into Milk.
(tr. after Guthrie with emendations by Zuntz, West & Kingsley)
The Water of Life is found near Persephone's Tree.
Pherecydes
(6th. cent. BCE), a mentor of Pythagoras, told how
Khthoniê (She Beneath the Earth - one of
Persephone's names) stretches upward as a self-supporting
Winged Oak (Hupopteros Drus), with Her Roots in the
Underworld, Her trunk climbing through the middle elements,
Her crown in Heaven. At the base of the Tree, between Her
Roots, is the Outflow (Ekroê), the Springs of
Ambrosia (Krênai Ambrosiai), for the Waters of
the Underworld flow out from Her Roots. The Winged Oak,
round which the Robe of Earth is wrapped (see below), draws
into Her Roots the sap of life, the Waters of the Abyss, conveys
it upward to Her crown, from which the golden Ambrosial Dew
drips down like honey to feed immortal souls. (Indeed
"Ambrosia" means "immortal.") Before a soul can return to
incarnation, it must approach one of these rivers and drink the
Water of Life from it, for the Outflow of the Rivers is called the
Semen of Life. Thus a fourth century BCE Orphic Gold Tablet
(Zuntz B1)
is inscribed:
The revitalizing Tree of Life belongs to the Goddess and is
guarded by the serpent Ophioneus (or Ophiôn) who dwells
in the waters around Her roots. (We find this same theme in
the serpent guarding the Apples of the Tree of the nymphs
Hesperides, which is in the west, the region of death, near the
World Axis where Atlas supports Heaven.)
When people die, their breath-souls (psukhai) go
to the Moon, and during the first two weeks of the month we
see Her waxing on the breath-souls of the dead.
(See "Air" for more on the Breath-Soul.)
During the second two weeks of the month, the Gods drink Ambrosia from
the Vessel of the Moon, and we see Her light wane; during this
time souls are prepared for rebirth. Then the Moon and Sun
come together, so that the Moon may be renewed. Souls pass
through Mukhoi (Hidden Places) in their passage to
and from mortal incarnation; especially they pass through the
Mukhos of Hekate on the Moon, where they atone for their
crimes; She is the stern Gate-keeper. (The Moon, of course, is
intimately connected with Water, but that topic is beyond the
scope of this article.)
An old Pythagorean maxim says, "The Sun and Moon are the
Isles of the Blessed," and those who know the Way may go
through the Lunar Gate and enter the Isles of the Blessed as
Heroes or Gods; those who do not must return to Earth for
another incarnation, and their souls rain to Earth as dew. (The
Upanishads say the dew is absorbed by plants, which are eaten
by animals, and the dew becomes their semen; thus are souls
brought back into the world, which explains the importance of
dew in alchemy.)
Persephone, corresponding to the element Water, unites the
Earth and Air. Indeed, She is the daughter of Demeter (who
corresponds to Earth) and Zeus (who corresponds to Air). As we
saw in the
Introduction,
Water can result from the union of Earth and Air, getting its
Coolness from the Earth and its Moisture from the Air. So also
Persephone was born of the union of the Lord of the Air and the
Lady of the Earth, getting Her power to unite (Cool) from
Demeter and Her power to transform (Moist) from Zeus.
Persephone joins what is above with what is below. Especially,
in Her yearly cycle, celebrated in the Eleusinian Mysteries, She
joins the Underworld to life above the Earth and mediates
between them.
Jung has shown us that Gods often form quaternities with a
3+1 structure, such as we see here. Zeus's three wives are the
Maiden, Mother and Crone. He is the fourth, who
differs from the three. According to Empedocles,
Zeus, Persephone and Demeter correspond to Air, Water and
Earth, respectively. This suggests that Rhea corresponds to Fire
in this structure, which makes some sense. Rhea, as Goddess of
Nature, is the agent of change (indeed She arranged the
threefold mating of Zeus), and philosophers, magicians and
alchemists, from Heraclitus in the fifth century BCE to those in
our own time, have identified Fire as the primary agent of
change. (See our discussion of
Fire.)
Therefore the quaternity has the Sky Father Zeus above and
the Earth Mother Demeter below; Persephone the Maiden of the
Abyss is on one side, and Rhea the Celestial Crone is on the
other.
The great triad of Persephone, Demeter and Rhea is honored
in the Lesser Mysteries, which take place in
Anthestêriôn (the "Month of Flowers"), the month
preceding the spring equinox (and thus corresponding to the
element Water). We may also note that Persephone, Demeter
and Hekate are the important triad of Goddesses of the
(Greater) Eleusinian Mysteries (for it was Hekate who
negotiated the return of the Maiden). Hekate is an Underworld
Goddess, and thus associated with Fire
(as will be explained when we discuss
that element),
but was also identified with Rhea, for Hekate was
understood as a Goddess of Nature, like Rhea. They are both
glittering crones (and
we will see
that Their Fire can be located either in Heaven or the
Underworld).
From Her union with Zeus, Persephone bore Dionysos,
destined to be the successor of Zeus and the fifth ruler of
Olympus, who was especially honored in the Orphic Mysteries.
Therefore He corresponds to the Quintessence, the Fifth
Element, for both define new realms outside the foursquare
completeness of the Earth, Water, Air and Fire.
Dissolution is not necessarily undesirable. For example,
Water allows the dissolution and reorganization of structure
necessary for growth and development; it corresponds to the
nutritive faculty of life (the "vegetative soul"). (Water enables
passive change of form, and metabolism and growth are
passive, from our conscious, mental perspective.) Also,
dissolution and dismemberment in the Underworld is a
necessary stage of initiation and rebirth in the Mysteries.
Of course, preservation and dissolution are two sides of the
cycle of Nature, which are embodied in Demeter and
Persephone, the Goddesses of Life and Death, who oversee
rebirth in the Eleusinian Mysteries. They correspond to Earth
and Water; although they are both uniting (Cool), Earth is form-
preserving (Dry), but Water is form-dissolving (Moist).
Thou shalt find to the left of the House of Hades a Spring,
The spring on the left is associated with Forgetfulness
(Lêthê) and dissolution, the spring on the
right with Memory and immortality.
and by the side thereof standing a White Cypress.
To this Spring approach not near.
But thou shalt find another, from the Lake of Memory,
Cold Water flowing forth, and there are Guardians before it.
Say: "I am a child of Earth and Starry Heaven,
but my race is of Heaven alone. This Ye know Yourselves.
But I am parched with thirst and I perish. Give me quickly
the Cold Water flowing forth from the Lake of Memory."
And of Themselves They will give thee to drink of the Holy
Spring.
And thereafter among the other Heroes thou shalt have
lordship.
(tr. Guthrie)
An Orphic Quaternity
Persephone and Demeter occupy a special place in an Orphic
Mystery that has been preserved for us. According to this
story, Rhea the Mother of the Gods directed Zeus to come as a
snake to Her in Her Mukhos, the Sacred Cave of
Phanês (the Primal God) and three Goddesses of the Night.
"She became a serpent, whereupon He turned into a serpent
Himself, and binding Her in the so-called Heracleot Knot,
copulated with Her. The form of coupling is represented in the
Wand of Hermes" (Athenagoras). Demeter was born from the
union of Rhea with Zeus, who is Himself the son of Kronos
(Time) and Rhea (Flow). Rhea arranged for Zeus and Demeter to
mate likewise as serpents in this same cave, and so Persephone
was born. Demeter hid Her daughter in the cave, and caused
Zeus to take again the serpent's form and to mate with Her
daughter, who then bore Dionysos.
Dissolution and the Underworld
Central to the character of Water is its power to
dissolve. Dissolution occurs because the Cool (uniting)
quality allows the Water to attach to solid matter of all sorts,
but the Moist (conforming) quality causes the result to have no
fixed form. Further, because Water is Cool, dissolution is a
passive loss of form. Through dissolution all things
lose their rigid structure and identity.
Nêstis
Empedocles
(fr. 7) calls Persephone by the obscure name "Nêstis,"
which is probably a pre-Greek but Indo-European Goddess
name indigenous to Sicily and southern Italy. Simplicius
derived it from naein, meaning "to flow," but,
according to
Kingsley, in ancient times divine names
were sometimes subtly refashioned so that they would have
multiple etymologies, and thereby embody hidden truths. For
example, Nêstis also means "Fasting" and the Nêsteia
was a festival of fasting for Persephone.
Fasting is also a central theme of the Mysteries of Persephone. For example, after Persephone was abducted, the Earth was barren and all mortals as well as Demeter fasted. Further, Persephone fasted in the Underworld until She ate the fateful pomegranate seed. Fasting is the opposite of nourishing. Therefore, Nêstis, the Goddess corresponding to Water, represents both flowing and fasting, both feast and famine. (Opposites unite in the Netherworld.)
There is perhaps no etymological connection between "Nêstis" and the Egyptian Goddess Nephthys, protector of the dead, but Plutarch says, "Nephthys is that which is beneath the Earth and invisible, Isis that which is above the Earth and visible." They symbolize birth (Isis, Earth) and death (Nephthys, Water) and were called the Weeping Goddesses. Like Demeter and Persephone, Isis and Nephthys represent generation and dissolution. (Indeed Demeter and Isis are sometimes identified, for each searched for Her lost child.)
As Persephone is wedded to Hades, so Nephthys is the bride
of Typhôn, who is identified with Hades, as we will see
when we come to the element Fire. Further, as Persephone
mated with Zeus and bore Dionysos, so Nephthys mated in
secret with Osiris and bore Anubis, who, like Dionysos, rules the
borderland between the Earth (Isis) and the Abyss (Nephthys).
Like Dionysos, Anubis was raised by a foster mother.
Although Nephthys is called Finality
(Teleutê), which associates Her with death,
Plutarch
explains that this name also means that She governs the
lowest ranks of matter (eskhata merê tês
hulês). Because of Her marriage with Typhôn
(Hades/Fire), the destructive power (hê
phthartikê dunamis), all plants and animals, and
even the earth and sea, suffer dissolution and destruction.
However, when She mates in secret with Osiris (Zeus/Air), the
productive and preserving power (hê gonimos kai
sôterios dunmais), Their offspring may survive
complete dissolution if preserved and nurtured by Isis
(Demeter/Earth). This is a hint into the Dionysian Mysteries.
Plutarch
further equates Nephthys with Aphrodite, who has
connections to both Persephone and the element Water.
Aphrodite has many connections with Water, for She was
born in the Ocean, and Her name was derived from
aphros (foam). She is also called
Anaduomenê (Emerging from the Sea), the
Goddess rising from the salty waters (on which,
see below),
and Pelagia (She of the Sea). Hesiod's tale of Her
birth from the Gonads of Heaven when they fell into the sea, is
well known. Other myths say that She is the daughter of
Okeanos (Ocean) or of Zeus and Diônê, a Water
Goddess. Again, She is said to have emerged from the
Primordial Egg floating on the salt sea. She is associated with
Water because Her gift is yielding union (Moist, Cool).
The Pythagoreans identify the bitter Salt Sea with divine
tears, especially the tears of Kronos (like Persephone, a deity of
the afterlife), and we have seen that Empedocles identified
Water with Persephone's tears, which were said to dissolve
grief and thereby bring about rebirth. Salt is associated with
wisdom and spirit as well as bitterness, which suggests that the
bitter tears of grief and disappointment can be transformed into
salty wit and sharp wisdom. Instead of being a source of foul
corruption, Salt may be used to preserve that which is worth
saving.
Similarly, the Salt Sea from which Aphrodite was born is the
source of new life, the salty womb of rebirth. But
complementing life-engendering Aphrodite (Venus Genetrix)
and Persephone Queen of the Underworld, we also have
Aphrodite Upon the Tombs and the revitalizing milk from
Persephone's breasts. Generation and dissolution are
complementary.
Alchemically, the Sea is the vessel of rebirth because its Salt
is the spark of the World Soul (Anima Mundi), the
"Vegetable Spirit" (Spiritus Vegetativus). This
Spiritual Salt (Sal Spirituale) is a conjunction of the
opposites Fire and Water, and will be discussed when we come
to
Fire,
but it is worthwhile to say a few words about it here. On the
one hand, Sea Water (Aqua Pontica) is chaotic
primordial matter (see below); on the other, it may be purified
(by Fire and Water) into Enduring Water (Aqua
Permanens), which holds the Salt of Wisdom (Sal
Sapientiae) and is the Elixir of Rebirth.
Sea-born Aphrodite
In later antiquity, especially in Italy, Persephone was
identified with Sea-born Aphrodite. The Pythagoreans say that
there are two Aphrodites: one in Heaven, one in the
Underworld. Therefore She is called Melaina (Black
One), Epitumbidia (Upon the Tombs),
Tumborukhos (Gravedigger) and
Pasiphaessa (Far Shining), which associates Her with
the Moon and the Queen of the Underworld. The connection
between love and death may be puzzling, but the Love-Death
has been a theme since ancient times: when we fall in love, our
old life comes to an end; we are reborn.
The Salt Sea
The Salt Sea represents Water in an especially important
form. This is because brine, like the salt in it, both preserves
and corrodes. As Heraclitus said, "Sea is the purest and foulest
water: for fish drinkable and saving, but for people
undrinkable and destroying."
Primal Mud
Hesiod's Theogony (c. 700 BCE) says, "First Chaos
came to be, but then broad-bosomed Gaia." Later the Stoics
attributed to
Pherecydes
the view that Chaos (Khaos) is Watery, deriving it
from kheisthai (to flow). The Primordial Chaos is
considered Watery because it is confused (mixed) and formless
(i.e., Cool and Moist). Similarly, according to the Pythagorean
Alkman (c. 600 BCE), in the beginning there was a "trackless
and featureless" waste of Waters. There is also an Orphic
theogony in which the first deities are Okeanos and Tethys,
corresponding to the Abyss (sweet subterranean water) and
Tiamat (bitter salt sea). Therefore Water (Chaos) precedes
Earth (Gaia), which gives matter its form.
As remarked in the discussion of Earth, elemental Earth is Cool (connected) and Dry (form imposing). Thus it is too rigid and inflexible to support life, but can be given this flexibility by Water. Therefore Primal Mud, the fertile loam of our Mother, is a combination of dry, crystalline Earth with moistening Water. This is why Water, which gives to inanimate Earth the ability to develop, transform and adapt, is associated with the "vegetative soul" possessed by all living things. It is also why many cosmogonies begin with Primal Mud.
According to Pherecydes' cosmogony, the living Earth came into being when Zeus and Khthoniê (She Beneath the Earth) married, and on the third day of the wedding, the Unveiling (Anakaluptêria), the craftsman Zeus wove an elaborate, variegated Robe (pepoikilmenon Pharos), which He gave to Khthoniê as a gift. It was adorned with land and sea, with rivers and trees, with mountains and meadows, with all of Earth and Okeanos, the Primal Ocean, and with the Mansions of Okeanos. (These are the three great divisions of the world: Earth, Encircling Ocean, and the Realms beyond the Rim. Above the three is Heaven and below is the Underworld; all together they are the Fivefold Cosmos.)
When Khthoniê, Queen of the Underworld, had wrapped it around Her, She became Gaia, Mother Earth. Likewise, the Orphic Poems say that the Earth is the Robe of Persephone, of She Beneath the Earth. The Robe, after it had been the cover of the sacred marriage bed, was hung upon the Goddess's Tree of Life. Thus the mantle of our world surrounds Khthoniê's Tree, the Tree of She Beneath the Earth.
As was explained in the Introduction, Earth is overcome by Water, and so the result of combining the two is more Watery than Earthy. That is, the Primal Mud is more like chaotic elemental Water: formless (because Moist) and confused (because Cool, and therefore mixing). Nevertheless, the Primal Mud is both Dry and Wet, corresponding to the elements Earth and Water, and so this "Prime Matter," which is the basis of the Great Art, is called the "Dry Water" by the alchemists.
Primal Mud is not sufficient for animate life. Thus Apollodorus (Library 1.7.1) says, "Prometheus molded humans out of Water and Earth and gave them also Fire, which, unknown to Zeus, he had hidden in a stalk of fennel." (The Fire was stolen from the Wheel of the Sun; the narthex or fennel stalk corresponds to Shushumna, the central spinal channel, which conveys the Kundalini force. The narthex also forms the shaft of the Thursos, the wand of Dionysian invocation.) Finally, Athena breathed Psychê (Breath [Air], Soul, Prana) into the body. (See Air for more on this.) Thus we are made from all four Elements.
From this perspective, Water and Earth constitute the "gross body"; Air and Fire provide the astral and radiant bodies, respectively. In Empedocles' terms, Earth and Water are the body (sôma), Air is the soul (psychê), and Fire is source of power (kinêtikê). Alchemically, the body is the Salt, which is joined by the Quicksilver (etheric body: Air) to the Sulfur (radiant body: Fire). So also the Stoics say that the (Cool, synthetic) "feminine" elements Earth and Water constitute Hulê (Matter or Resource), whereas the (Warm, analytic) "masculine" elements Air and Fire constitute Logos (Word or Thought).
Earth and Water are the only tangible (touchable) elements; Fire and Air are intangible. Since Water and Earth are both Cool, their tendency is toward greater mixture; this is the entropy of gross matter. They tend to the cold and dark through the dissolution of form (because the mixture is Watery).
The "igneous spirit" (the Heat residing in both Fire and Air) gives motion to inert matter and makes it active. These Elements tend to warmth and light through the generation of energy. Thus Menstruum, the Living Mud, which combines the Cool feminine elements Earth and Water (represented by pubic triangles), is animated by Semen, which combines the Warm masculine elements Air and Fire (represented by the phallic triangles). Therefore Warmth and Moisture are the two principles of generation, which animate the sterile Earth and bring it to life.
In conclusion, Water is the spiritual principle of flexible union, which permits both dissolution and transformation. Water provides the Primordial Chaos, which combines with Earth to yield the Primal Mud from which life is born. Water is associated with Persephone, the agent of rebirth in the Underworld, who brings the tears of mourning but also the Ambrosia of immortality.
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